The original image is fractured and extruded, forming cascading pin-like structures that extend toward the viewer, as if nature’s raw forces are being pulled into the digital realm.

These extrusions resemble energetic fields—flows of invisible data or gravitational forces made tangible—creating a tension between organic imagery and computational distortion. The piece evokes a sense of movement and depth, as if the image itself is dissolving into digital particles or reforming in an alternate dimension.

Through Digital Nature, the artist invites viewers to experience nature not as a static entity but as a constantly evolving force, one that exists at the intersection of organic reality and digital transformation. It questions our perception of the natural world in an age where technology continuously reshapes our vision, blurring the boundaries between what is real, virtual, and imagined.